Semester break da habis....seminggu jeh....sekejapnye...nape tak lama sikit...huhuuuu..
Ok sambung kelas visual...kali ni kelas start pukul 3.30 ptg...dengan En Fuad....dia terangkan cara cara amik gambar kat studio...
sakan semua berposing.......setelah berposing... kami pergi ke makmal untuk mendengar presentation dari kumpulan Jonas.
HAMIZAH BINTI EMRAN
JONES JOYNER JUGAH
KHAIZATUL AKHMAR BINTI AMAN
Para pembentang
tajuk nya ialah : Studio photography
What is sudio photography..
A photographic studio is a business owned and represented by one or more photographers, possibly accompanied by assistants and pupils, who create and sell their own and sometimes others' photographs.
Studio equiptment
CUTTER (aka FLAG
Reflector
----STUDIO PHOTOGRAPHY----
Still Life Photography
Still life subject is an inanimate object but other subjects are loosely termed as still life as well. These include flowers, food, etc. They are life forms but they don’t move.
Because the subjects are smaller, lighting coverage is less and alternatively less power is needed.
Still life setups can be lit with just daylight from a large window and/or the use of one or two flash guns with the aid of a few large white cards to utilize as reflectors.
10 Tips to Get Started with Still Life Photography
1. Getting Started
Contrary to common perceptions, you don’t need a studio or a fancy location to make a start with still life photography. You can begin by simply using a space at home, such as a table placed by a window, along with a simple backdrop and utilizing a couple of lamps.
2. Choosing the subject
Find something simple but interesting to start with. Please don’t feel like you have to take photos of fruit or flowers just because everyone else does, think outside the box without being overly ambitious.
Try to avoid reflective surfaces such as glass and metal to begin with, as they will be extremely difficult with regards to lighting. Once you’ve mastered the single object shots, try mixing it up, combine objects of contrasting shape, colour, texture and see what you can come up with
3. Lighting
Using standard lamps can work extremely well if used effectively.
Try multiple positioning set ups, not all light has to come from the front of the object, side and back lighting will add interest, shadows and depth to the shot.
4. Tripods and Angles
This set up will also allow you to use slightly longer shutter speeds than usual to ensure a small aperture allowing the image to be in focus front to back.
Be sure to vary the angles and heights at which you are shooting.
Try shooting at the level of the subject or try a bird’s eye view, looking down onto the subject, but be careful if you are moving around not to cast any shadows on your subject
5. Get the backdrop right
Having a suitable backdrop for your subject matter will play a crucial role in the overall success of your shots.
Keep it nice and simple, so it doesn’t interfere with your subject. (example : plain painted wall or a large sheet of white or plain colored paper)
How your choice of background contrasts the subject, do you want a neutral background, or are there tones that may work in complimenting the shades within your subject must be consider.
For smaller objects, there no need for backdrop as such, but instead require a surface to place the items on, for which something like black velvet, as it absorbs light and looks like a solid black surface.
6.Composing the shot
The compositional element of your still life work is an absolutely crucial part of ensuring that your work is engaging and unique. Consider the rule of thirds, how can that be applied to your shoot to create a strong composition. Ensure there are no distractions within the frame, just the subject and the backdrop.
7.Taking all day over it
Set up your subject, lighting, backdrop and camera, try a few shots, then move things around a bit and have another go.
8. Now it’s your turn!
OK.......NOW ..my turn to do still life photography......
ok laa...that s all tatata....tititi..tututuuu..see u next
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