Sunday, October 26, 2014

Week 6

 Alhamdulillah....sampai ke week ke 6.belajar apa hari nie yea.....

minggu ni pembentangan dari kumpulan Mat & Yahaya.....


Tajuk nya...IMAGE COMPOSITION

DEFINITION  OF COMPOSITION
Composition has been defined as  a laying  of  comparative objects and elements  in an artwork ( www.photographylife.com).

DEFINITION OF COMPOSITION  IN PHOTOGRAPHY
This can be described as placing  essentials or features  within  a  photograph in a way  that fits the central  idea or target of your work
(www.digitalcameraworld.com). 

GOOD COMPOSTION

Good composition has been defined as the careful selection and arrangement of the photo’s subject matter within a frame (Busch: 2009


BASIC ELEMENTS OF GOOD COMPOSITION

It is a fact that best pictures are not by accident, they are calculated and crafted. The following will guide us on how to prepare and apply good composition in our photography. They are only guidelines your intelligence will tell you when to break the rules.

VISUALISING A CONCEPT FOR YOUR PICTURE

    Photo talks. You should decide what your picture will say and  also determine your audience. Is your photo communicating emotions: happiness, sorrow, mourning, sympathy, pains or a pathetic situation.




SIMPLICTY / CENTER OF INTEREST

Some of the prominent compositional techniques to have centre of interest are 
as follow:
Most prominent should be your center of interest : you may think that Sister Hafsat should be pictured but if she stands in front of a latest car in town, she can hardly be noticed. 





SINGLE CENTER OF INTEREST 

Center of interest should be the brightest object or should not be conquered by 
a  brighter object. Dazzling background and reflections should not distract 
viewers from your core subject.  

SUBJECT SHOULD NOT BE IN THE MIDDLE


FRAMING & THE RULE OF THIRDS

The best position to be assigned to an important subject is usually at one of the
 points located one third of the way from top or bottom and sides of the frame. 
Burch (2009) defined rule of thirds as a process of breaking up your picture 
horizontally  and vertically into thirds

RULE OF THIRD


Leading LINE  AND CURVES

Your viewers will like to see the subjects arranged interestingly. Lines and
 curves within your image can direct your eyes toward your focal point. Line and
 curves can be in a form of walls, fence, building, roads, falls etc 


FRAMING AN IMAGE

Usually, printed  pictures are put in physical frames for some reasons. Border 
delineates the shape of the picture and help to center attention on the image 
Within the frame. We can apply the basic notion on framing to create an
 attractive border within our picture by utilizing the following guidelines:
 Search for clear framing shapes where you can place your composition, example; doo-ways, windows, spaces between building, etc
Change position to edge the shot so that the forefront object create a border around your image.
Situate your frame in the foreground
Use your frame to breed a sense of depth. 


As conclusion there a few basic composition which are;
Photo Talk,Simplicity,Rule Of third,Breaking the rule,Balancing ,Line ,Framing ,Depth 


Theme and Moods

Characteristics of a good photo

-Shape

Tends to be noticed first, before texture and pattern
Easiest and most recognizable composition tool
Shape helps create a mood/character for the picture
Search for the unconventional or surprise shape in objects 

-Line

Lines create 
Shape,Pattern,Depth,Perspective Line leads the eyeFocal point/subjec,tDiagonals,S-curves


Pattern

Orderly combination of shape, line, or color
Pattern can help echo the character of a photo
Catching attention
Random patterns
Slight variation in a pattern
Pattern in common places


Texture

Adds realism (sense of touch) to a photo
Sharp (hard) light highlights texture
Especially important for close-up and b/w shots
Side lighting highlights texture
Most portraits use front lighting to decrease texture on skin

Using light for depth

Sometimes hard light is inappropriate for illustrating shape and depth
Soft side lighting can give a sense of shape and depth without high contrast
Portraits
Still life
When shape/depth is more important that texture

Giving perspective

Linear—Lines which converge into the distance
Diminishing size—objects further away are smaller
Aerial perspective—atmosphere creates haze, which lightens objects farther away


Shooting Technique

high angle


Low angle


EYE level/normal angle


Panning

Panorama


Silhoute
Zoom in Zoom out



Reflection

bye.....jumpa next week...

Week 5

Alhamdulillah ,,sampai ke minggu ke lima....perjalanan masih jauh...perjuangan perlu diteruskan huh.....hehehe...semakin lama semakin serasi....bersyukurlah.....baiklah pada minggu ini kumpulan Ain,Sumita n shahirah present...tajuknya ialah:

 Light n lighting....

cahaya  memang tidak dapat dipisahkan daripada fotografi...

light makes photography. Embrace light. Admire it. Love it. But above all, KNOW light. Know it for all you are worth, and you will know the key to photography.”


Founder of Kodak,

George Eastman

Sumber cahaya

-Natural light
-Artificial light


Effects of lighting:

Highlight important objects by drawing our eyes to them (guide our attention)

Texture and shape

Give different mood to the picture to deliver a certain message
Can make a character look mysterious by shading some parts of their body
Make the character look glamorous by using 3point lighting technique
Highlight the  emotion of the picture 



Basic styles of lighting:

High-key

Predominantly bright and allows few dark areas or shadows within the scene
Features strong illumination on the subject and often an equally exposed background

Low-key
Enhances depth by using contrasting tones of highlights and shadow
Only a few areas are lit at or above key, resulting in more shadow areas

Soft light can be created by:

-Bouncing the light 
-Using diffusion materials
-Pulling the light away from the subject




Key light: main light on a subject 
Fill light: softens the hard edges of the key and balances the light
Back light: light behind the subject creating separation from the background
                (distance)

































ok cukup setakat ini pada minggu ini.....bye...

Saturday, October 11, 2014

Week 4

Alhamdulillah dah week 4 ....minggu ni sesi bersama En Fuad....kelas bermula 3.30 petang....

En Fuad gigih memberi penerangan perihal flash @ teknik penataan cahaya pada kami..

ok ...kak zaharah sempat posing....2 in 1 sambil dengar dan sempat posing..kikiiii

Teknik Penataan cahaya

Apabila bercerita tentang fotografi, kita perlu memahami cahaya secara teknikal. Sesetengah jurufoto mampu menghasilkan karya bermutu kerana mereka mempunyai kemampuan mengenal kecantikan visual secara natural. Tapi kebanyakan kita, tak ada kemahiran ini secara automatik, tetapi ianya boleh dipelajari.

SOFTLIGHT





satu ciri Softlight adalah terserak dengan sekata.

kita boleh dapatkan softlight dibawah tempat yang teduh
mata subjek tak squint bila bawah softlight
satu cara nak dapatkan cahaya yang lembut adalah dengan memastikan sumber cahaya lebih besar dari subjek.
sebagai contoh bila hari berawan, matahari dibelakang awan.. memancarkan cahaya dan jatuh pada awan.. Cahaya menembusi awan dan terserak ke merata arah, mengisi setiap tempat pada wajah kita secara sekata… itulah softlight

Hardlight

Ada orang kata hardlight tak sesuai untuk portrait. Kenyataan ini separuh saja betul.

Kalau kita nak hasilkan portrait wajah seperti diatas, ya memang tak sesuai guna hardlight. Akan tetapi sebenarnya dalam ilmu portrait, pemahaman kepada ilmu hardlight sama penting dengan ilmu softlight. Kita banyak menggunakan hardlight dalam commercial atau portrait bersifat sport atau yang menunjukkan aggresiveness atau kekuatan. sedangkan portrait softlight lebih sesuai untuk portrait yang bersifat lembut characternya.

Selain Softlight dan hardlight, kita juga perlu memahami tentang Direction dan juga Color cast bila menggunakan cahaya dalam fotografi. Sekiranya kita tak memahami basic ini, bagaimana mungkin boleh dikatakan kita ada ilmu fotografi sedangkan fotografi itu sendiri bermaksud merakam dengan cahaya.

Untuk memahami tentang hardlight, kualiti lain lain dan bagaimana ia diaplikasikan dalam dunia fotografi sebenar, menggunakan flash, atau strobe atau cahaya semulajadi


TEKNIK PENATAAN CAHAYA STUDIO (STUDIO LIGHTING)


1. Cahaya Utama – MAIN LIGHT/ KEY LIGHT

Main light akan menjadi cahaya utama untuk subjek anda. Biasanya ia menjadi cahaya yang paling kuat dalam set anda. Ia digunakan untuk menerangi subjek dan menyerlah details. Cahaya utama adalah cahaya yang menerbitkan shadow.

2. Cahaya Fill In

Cahaya fill in biasanya kurang kuasanya dan sentiasa digunakan untuk melembutkan shadow, yang biasanya dihasilkan oleh cahaya utama. biasanya ratio yang digunakan dari 1:2 hingga lah1:9.  Cahaya dengan ratio 1:3 boleh menyerlahkan bentuk tiga dimensi subjek.

3. Background light
    
Background light pula digunakan untuk mencerahkan background.

4. Back light

Cahaya ini untuk memberikan rimlight pada subjek

5. Hairlight

untuk mencerahkan rambut, supaya berkilauan, seakan akan rambut pantene. nope, just tak mahu dia kelihatan hitam saja.

Untuk menghasilkan karya potrek, berbagai cara boleh dihasilkan. Kalau anda menggunakan flash itu adalah salah satu cara yang mudah. Gunakan teknik lantulan cahaya dari silling, dari reflektor dan sebagainya. Hasilnya tidak kurang menarik.

ok...sebenarnya en fuad nak tunjuk cara kamera ni berfungsi..

ni haa model dah sedia....kat bawah nie...
ni le model nye...amir,mat,suhaimi..shasha n faeza....tapi en fuad tak tangkap pun gambar diorg ....hahahaa...dia sibuk operate...komputer nak edit gambar....wat hal pulak...takpe,,,marilah kami yang amik gambo korang....

lamanye...tunggu en fuad nie...mcm tak siap siap...kami pun amik kesempatan hahaaaaa..


kikiiii...akhirnya..kelas tamat.....En Fuad tak dapat meneruskan penerangan kerana komputerr buat hal huhuuu..kita jumpa next week tataaaa....





Friday, October 10, 2014

Week 3

Alhamdulillah......sampai ke week 3 ...hari nie presentation pertama from Mr Amir n the gang.....Tajuk nye seperti dibawah :


         -Introduction to visual technology
         -Visual technology in education
         -Visual technology resources
         -Photography and its applications
         -Camera: types and characteristics
         -SLR camera: Specialization and handling
         -Lenses and Aperture
         -Shutter speed and Exposure

         -Film/CCD: ISO and funtions

wow...hebat diorg bentang..speaking london...maklumla   ada Yahaya....sian dia nanti tak faham....pembentang pertama....mr suhaimi.....diikuti dgn Miss Hasnah , n Mr Amir..perkongsian daripada mereka:


Categories of Camera

Light Catcher Sensor Medium

(Medium Penangkap Cahaya)

Analogue Camera(Film)
Kamera Analog (Filem)







CELLULOID FILM

Using celluloid film as a Light Catcher Medium and also Storage Medium
Type of Film depending on measurement
a. Small format (35mm)
b. Medium format (100-120mm)
c. Large format
Format 35mm most popular (a.k.a. Film 135)

THE PRINT (PHOTO PAPER)


Darkrooms: Creating Images with Chemistry

Films that have been exposed go through a process called “developing”.

Developing film-dropping off rolls of 35mm film, and getting back prints and negatives. 


Instant Camera (Polaroid) Kamera Segera (Polaroid)

Generates a developed film image  (a.k.a. self-developing film) by Polaroid Corporation.

American scientist Edwin Land, who unveiled the first commercial instant camera, the Land Camera, in 1948, Camera and portable darkroom in a single compartment, Invented in 1923 by Samuel Shlafrock.

Using Zink Photo Paper as a Light Catcher Medium and also Storage Medium. It is cheap and suitable those who like to collect picture.

Digital Camera (Memory Card) 

Using Image-sensor atau Picture Sensor as a Light Catcher Medium and Memory Card also Storage Medium  
Pixels = Picture elements
Resolution: number of pixels captured by the image sensor



Exposure
Lens, Aperture, Shutter Speed, ISO
Dedahan – Lensa, Aperture, Kelajuan Shutter 

Exposure is the total amount of light allowed to fall on the film/image sensor.
Too much light creates an over‐bright  image with white spots

Too little light creates an under‐bright  image with black spots
Exposure also known as light exposure. 

Exposure to too high will cause the image to be too bright (overexposure) while low exposure cause the picture is dark (underexposure).




Aperture  is  How much light gets in
Shutter Speed is How long light is let in
ISO is Sensitivity of image device



Low Shutter speed


High Shutter speed





ISO refers to the sensitivity of the sensor to light.
Lower the ISO, the lower response to the light sensor, while the higher the ISO, the more powerful response to light.
A lower ISO number , More light is required
Either with a longer shutter speed, a larger aperture opening, or both—to get the same effect that a higher ISO number would get with less light. 



ISO Range

HIGH ISO value means the sensor will be MORE sensitive to light, meaning it will take LESS LIGHT to get the right exposure.
Low ISO indicates low sensitivity to light but generally higher resolution with less “noise” or “grain”.
Indoor vs Outdoor  ? ISO ?
ISO (Light sensitivity)
50 outdoors/sunlight (low grain/noise)
1600 indoors/no flash (high grain/noise

Set the lowest setting possible to avoid noise.

ISO measures the sensitivity of the image sensor. The lower the number the less sensitive your camera is to light and the finer the grain.


  gitulah cerita mengenai iso.apexture n speed shutter.....baru lah tau semua tu....teori shaja dulu nie...praktikal nye..ke laut lagi.....kat bawah nie cara nak pegang kamera.....






Ini gaya-gaya aksi yang betul semasa mengambil gambo..ye...hehe,,jgn mengepak sangat yea...


cukup la dulu untuk episod ni..babai.......